Creon is the Tragic Hero of in Sophocles Antigone :: Antigone essays

Creon is the Tragic Hero of Antig adept     Ladies and gentlemen of the jury, I am here today to argue the title of tragic star in the play Antigone by Sophocles. I would like to start off by saying that it will be extremely difficult for me to have the furor that I usually have because of my client. My clients ruthless leadership disgusts me in the worst way. But I will still stand in front of you, the jury, and lay out my client. As I said before I am here to argue the title of tragic hero in the play Antigone. I could knock against that some of you are dazzled by the word tragic hero. No need to worry for I will enlighten you. The great Aristotle was one of the first men who defined a tragic hero. His definition is not a rule for what tragedy should be, but it is a description of what he believed tragedy was. According to Aristotle a tragic hero must have these qualities to qualify as one. A tragic hero is neither good nor bad. Along with organism neutral in his stance, a tragic hero must also be born into royalty. A tragic hero could never be of the commons folk. In addition to this a tragic hero must suffer a grownup fall from good grace. By this he means that a fall that brings him down to earth. A tragic hero also has some type of flaw. Whether it is a character flaw such as pride and ego or the character must make an error of judgment or a mistake. With the tragic flaw the character must also notice the flaw that they have made. In other words, they have to be enlightened. The audience is then supposed to feel pity and fear for the tragic hero because of his degraded journey. The tragic hero also is supposed to inspire catharsis in the audience.   In some respects Creon is seen as good but with others as bad. The large fall that Creon took was the fall from the good grace of being a respected king. Your people are beginning to question your judgment and are beginning to cheek with Antigone.